Stoner groove metal lovers and fans of vintage heavy rock, rejoice! Ian Blurton’s FUTURE NOW has arrived with “Crimes of the City”, a thunderous blast of riff-driven rock that channels the gritty energy of the 1970s while delivering a modern, no-frills punch. This album, released through Pajama Party Records on October 30^th 2024, is an exhilarating journey back to a golden era of music, all while keeping its feet firmly planted in today’s sonic landscape.

From the very first note, you’re teleported to a time when tube amps roared and Marshall stacks ruled the world. The production on “Crimes of the City” is spot on, perfectly capturing the essence of classic stoner metal. It’s warm, raw, and alive. A deliberate effort by Ian Blurton and his band to recreate the visceral energy of a live performance. With Glenn Milchem (drums), Anna Ruddick (bass), and Aaron Goldstein (guitar) by his side, Blurton ensures that every track is brimming with authentic rock fury.

The album’s sound is a beautiful concoction of influences, blending the doom-laden swagger of Danzig, the infectious hooks of Cheap Trick, and the heavy riffage of Budgie and Blue Öyster Cult​. While it keeps the spirit of the ’70s alive, there’s an undeniable freshness to the compositions. It’s not just a nostalgic rehash; it’s a modern interpretation of classic sounds, delivered with intensity and precision.

The standout tracks are relentless in their delivery of grooves and riffs. Songs like “Crimes of the City” and “Nightmare City” showcase Blurton’s knack for crafting powerful, straight-to-the-point rock anthems. The guitars are heavy and textured, the drumming is relentless, and the basslines are thick and driving. The album’s stripped-down approach avoids overproduction, making each track feel immediate and real.

However, not everything fits seamlessly. There are moments where influences from outside the core stoner rock sound sneak in. Most notably, a touch of Oasis-style brit rock that feels slightly out of place amidst the album’s otherwise gritty, hard-hitting vibe. It’s a brief distraction, but one that slightly detracts from the otherwise cohesive energy of the record.

What really sets “Crimes of the City” apart is its commitment to authenticity. There are no backing tracks or digital trickery here. This is pure, unfiltered rock, performed by a band that clearly loves what they do. The rawness of the performances, combined with the perfectly balanced mix and mastering, makes for an engaging listen that captures the magic of live music​.

Blurton’s vocals are gritty and passionate, perfectly matching the fiery instrumentation. The harmonies, contributed by Gregory Macdonald of Sloan, add a layer of richness to the choruses, reminiscent of classic acts like Queen and Def Leppard. This contrast between raw grit and melodic polish gives the album a unique character, keeping it from falling into monotony.

The album’s aesthetic matches its sonic assault. The B-movie inspired artwork by Last Johnny on the Left gives the record a cinematic edge, reinforcing the idea that this is more than just an album, it’s an experience​

At just 33 minutes, “Crimes of the City” doesn’t overstay its welcome. It’s a tight, punchy ride that leaves you wanting more. Blurton and his band prove that sometimes, less is more. No need for sprawling epics when you can hit hard and fast.

In conclusion, “Crimes of the City” is a triumphant ode to the golden age of heavy rock, infused with modern energy and executed with impeccable skill. While a few off-kilter influences sneak in, the overall experience is pure, electrifying rock and roll. If you’re a fan of groove-heavy, riff-laden rock that doesn’t compromise on authenticity, this album is a must-listen. Expect to see Ian Blurton’s FUTURE NOW tearing up stages and keeping the spirit of rock alive well into 2025 and beyond.

Rating: 8/10

Release Date: October 30^th , 2024
Label: Pajama Party Records

Writer: Andy Baqone

Tracklist:

1. Crimes of the City
2. Nightmare City
3. Let’s Get It On
4. Hammer Down
5. Queen of the Dead
6. Blood on the Moon
7. Firestorm
8. Stand Tall
9. Burn It All
10. Death Rattle