Astrid has been having opinions on the internet since 2004, and started listening to metal sometime between 2000 and 2006, depending on how you count it. She was raised on classical music and Celtic folk, which has led to most of her favourite genres including “folk,” “melodic,” or “symphonic” somewhere in the descriptor alongside heavier elements.
Astrid’s interests include archaeology, history, mythology, and all forms of storytelling. She enjoys singing, dancing, and being in the forest.
She is a seamstress and designer by trade, based on the west coast of Canada. Capable of 347 tangential thoughts per minute.
2022 was a strange year for many reasons, as I’m sure most year end lists are noting. Personally, a large source of weirdness is how many of my most anticipated albums are not making...
German black metal outfit Firtan has been on my radar since a chance discovery of their “Innenwelt” EP in 2016. I was initially drawn in by the intense yet melodic sound, rooted in 90s...
I must admit I felt a certain amount of trepidation at the news that Sabaton’s 10th studio album would be a follow up to 2019’s “The Great War.” I don’t believe I was alone...
Swiss-American Zeal & Ardor began as an experiment in combining disparate musical styles, specifically black metal and African-American spirituals. The experiment has since escaped the petri dish, sprouted limbs, and is now walking, talking,...
Formed in 2003, Ereb Altor was established as a supplement to Tabletop RPG Drakar och Demoner, a Swedish sibling of the more well-known Dungeons and Dragons. Given this origin, they are surprisingly well realised...